Music, TV radio, books, film, art, dance photography. Weve noticed youre adblocking. FfXVJQDIlU4/TVwwemxeaII/AAAAAAAAFHk/AHXPxfg-xsI/s1600/vlcsnap-00006.png' alt='Film Noir Movies Curious George ' title='Film Noir Movies Curious George ' />Untie the League. Lys D. What happens if Justice League suck as bad as Batman v Superman does Do the other DC movies get scrapped Do they try another new DC. Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture. Requires free registration. Watch 1,150 quality movies online. Includes classics, indies, film noir, documentaries showcasing the talent of our greatest actors, actresses and directors. L. A. Times entertainment news from Hollywood including event coverage, celebrity gossip and deals. View photo galleries, read TV and movie reviews and more. Sometimes, clichs become so ingrained into film history that you forget they are clichs in the first place. One of the greatest examples of this curious. We rely on advertising to help fund our award winning journalism. Ipod The Boy And The World 2010. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Thank you for your support. Casablanca amerykaski melodramat i film noir z 1942 roku, ktrego akcja dzieje si w czasie II wojny wiatowej, w kontrolowanym przez Francj Vichy. Get exclusive film and movie reviews from THR, the leading source of film reviews online. We take an honest look at the best and worst movies Hollywood has to offer. An art film is typically a serious, independent film aimed at a niche market rather than a mass market audience. An art film is intended to be a serious artistic. Reviews of current theatrical and DVD releases. Greetings from the future Welcome to Postal Apocalypse, io9s admittedly sporadic mail column by me, editor Rob Bricken. This week Ive got a lot of. Cult film WikipediaCult classic redirects here. For the album by Blue yster Cult, see Cult Classic. A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1. Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well respected or reassessed as classics there is debate as to whether these popular and accepted films are still cult films. After failing in the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge. Cult films frequently break cultural taboos, and many feature excessive displays of violence, gore, sexuality, profanity, or combinations thereof. This can lead to controversy, censorship, and outright bans less transgressive films may attract similar amounts of controversy when critics call them frivolous or incompetent. Films that fail to attract requisite amounts of controversy may face resistance when labeled as cult films. Mainstream films and big budget blockbusters have attracted cult followings similar to more underground and lesser known films fans of these films often emphasize the films niche appeal and reject the more popular aspects. Fans who like the films for the wrong reasons, such as perceived elements that represent mainstream appeal and marketing, will often be ostracized or ridiculed. Likewise, fans who stray from accepted subcultural scripts may experience similar rejection. Since the late 1. Films that once would have been limited to obscure cult followings are now capable of breaking into the mainstream, and showings of cult films have proved to be a profitable business venture. Overbroad usage of the term has resulted in controversy, as purists state it has become a meaningless descriptor applied to any film that is the slightest bit weird or unconventional others accuse Hollywood studios of trying to artificially create cult films or use the term as a marketing tactic. Films are frequently stated to be an instant cult classic now, occasionally before they are released. Fickle fans on the Internet have latched on to unreleased films only to abandon them later on release. At the same time, other films have acquired massive, quick cult followings, thanks to spreading virally through social media. Easy access to cult films via video on demand and peer to peer file sharing has led some critics to pronounce the death of cult films. Definition Academic Mark Shiel has criticized the term itself as being a weak concept, reliant on subjectivity different groups can interpret films in their own terms. According to feminist scholar Joanne Hollows, this subjectivity causes films with large female cult followings to be perceived as too mainstream and not transgressive enough to qualify as a cult film. Academic Mike ChopraGant says that cult films become decontextualized when studied as a group,1. Shiel criticizes this recontextualization as cultural commodification. In 2. 00. 8, Cineaste asked a range of academics for their definition of a cult film. Several people defined cult films primarily in terms of their opposition to mainstream films and conformism, explicitly requiring a transgressive element, though others disputed the transgressive potential, given the demographic appeal to conventional moviegoers and mainstreaming of cult films. Jeffrey Andrew Weinstock instead called them mainstream films with transgressive elements. Most definitions also required a strong community aspect, such as obsessed fans or ritualistic behavior. Citing misuse of the term, Mikel J. Koven took a self described hard line stance that rejected definitions that use any other criteria. Matt Hills instead stressed the need for an open ended definition rooted in structuration, where the film and the audience reaction are interrelated and neither is prioritized. Ernest Mathijs focused on the accidental nature of cult followings, arguing that cult film fans consider themselves too savvy to be marketed to, while Jonathan Rosenbaum rejected the continued existence of cult films and called the term a marketing buzzword. Mathijs suggests that cult films help to understand ambiguity and incompleteness in life given the difficulty in even defining the term. That cult films can have opposing qualities such as good and bad, failure and success, innovative and retro helps to illustrate that art is subjective and never self evident. This ambiguity leads critics of postmodernism to accuse cult films of being beyond criticism, as the emphasis is now on personal interpretation rather than critical analysis or metanarratives. These inherent dichotomies can lead audiences to be split between ironic and earnest fans. Writing in Defining Cult Movies, Jancovich et al. Jeffrey Sconce, who defines cult films in terms of paracinema, marginal films that exist outside critical and cultural acceptance everything from exploitation to beach party musicals to softcore pornography. However, they reject cult films as having a single unifying feature instead, they state that cult films are united in their subcultural ideology and opposition to mainstream tastes, itself a vague and undefinable term. Cult followings themselves can range from adoration to contempt, and they have little in common except for their celebration of nonconformity even the bad films ridiculed by fans are artistically nonconformist, albeit unintentionally. At the same time, they state that bourgeois, masculine tastes are frequently reinforced, which makes cult films more of an internal conflict within the bourgeoisie, rather than a rebellion against it. This results in an anti academic bias despite the use of formal methodologies, such as defamiliarization. This contradiction exists in many subcultures, especially those dependent on defining themselves in terms of opposition to the mainstream. This nonconformity is eventually co opted by the dominant forces, such as Hollywood, and marketed to the mainstream.